Mit “Rings” kehrt das Brunnenmädchen Samara endlich in unsere Albträume zurück
Mit “Rings” kehrt das Brunnenmädchen Samara endlich in unsere Albträume zurück
Gute Musik zum Wochenstart in einer exklusiven Videopremiere: Daniel Decker – “Wir werden uns rächen”
Gute Musik zum Wochenstart in einer exklusiven Videopremiere: Daniel Decker – “Wir werden uns rächen”
Ihr kennt das: Im Kurzfilm “freitagabend” streitet sich ein Pärchen im Bett um den Lichtschalter
Ihr kennt das: Im Kurzfilm “freitagabend” streitet sich ein Pärchen im Bett um den Lichtschalter
Happy Rebirth-Day, DC Comics!
Happy Rebirth-Day, DC Comics!

Hier, ihr müsst die Synopsis lesen, wie sie beim Video steht, weil ich euch das nicht immer alles vorkauen möchte:

“Punk women changed the public face of female. It was very empowering for universal women. The story of punk could almost be a women’s liberation story”. Caroline Coon.

1976 -77 sees the explosion of a new subculture: Punk. Punk women were clearly visible by their appearance, clothes, makeup, hair, piercing and tattoos. Punk was the first youth movement where women were equals. Prior to punk, women were seen as the girlfriends of skins, mods, hippies and teddy boys, but a female punk was a punk. Punks, both male and female, hit the media headlines from 1976 onwards. Moral outcry erupted as the media and officialdom proclaimed Punk Public Enemy Number One. Being a punk was dangerous, so why did so many women become punks? Was it just about dressing up outrageously? Were these punk women treated as equal members of the subculture and how were they treated by the rest of society? How did being a punk affect their lives? Did punk woman directly influence society’s attitudes to women today. The lives of these women will reveal an insight into female punks and a culture that has been greatly misunderstood and misrepresented in the media.

Their personal oral histories explore their experiences of being a punk. Life stories, gigs, fashion, music, politics, friends, relations & events. The women to a varying extent agree that today they are still punks at heart, if not in appearance. Why did women want to be punks? How did they become punks? Socially what was happening in their lives? Was it a gradual move or a sudden overnight decision? Did being a punk change their lives? The present media interest in punk is a male-dominated vision of the era. This programme reassesses – from the perspectives of punk women – women’s roles in a dynamic movement that irreversibly changed the face of society, politics, art and music.

Director: Zillah Minx — Lead singer with punk band rubella ballet since 1976.

Mit dabei sid so Ladies wie Poly Styrene, Eve Libertine und Gee Vaucher of Crass, Gaye Advert von The Adverts, Michelle von Brigandage und Olga Orbit von Youth in Asia. Vielleicht kennt man noch die ein oder andere, aber auf jeden Fall bin ich ziemlich gespannt drauf, wenn ich den Film endlich mal in voller Länge schauen kann. Veröffentlicht wurde die Doku bereits 2010, allerdings wurde sie erst dieser Tage von den Produzenten bei Youtube zur Verfügung gestellt. Ist das noch Punk? Keine Ahnung, was heutzutage so Punk ist, aber ein bisschen punky ist es vermutlich schon. (via)

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